»Form follows feminine.«

Oscar Niemeyer

Blog Lens

Building Rapport

The photography of Jakub Certowicz

  • This photo is taken from Certowicz’s “Zach?onno??” series. (All photos: Jakub Certowicz) 1 / 12  This photo is taken from Certowicz’s “Zachłonność” series. (All photos: Jakub Certowicz)
  • The series documents the maxing out of useable square metreage of sites by developers and investors... 2 / 12  The series documents the maxing out of useable square metreage of sites by developers and investors...
  • ...to maximise profits. 3 / 12  ...to maximise profits.
  • Photos taken from the “Nineties” series... 4 / 12  Photos taken from the “Nineties” series...
  • ...which looks at the legacy of postmodernism left in Polish cities. 5 / 12  ...which looks at the legacy of postmodernism left in Polish cities.
  • A current project documents the construction of the Nowy Teatr in Warsaw. (© Nowy Teatr w Warszawie) 6 / 12  A current project documents the construction of the Nowy Teatr in Warsaw. (© Nowy Teatr w Warszawie)
  • The renovation of the theatre building is currently on site... (© Nowy Teatr w Warszawie) 7 / 12  The renovation of the theatre building is currently on site... (© Nowy Teatr w Warszawie)
  • ...and Certowicz is documenting the whole process... (© Nowy Teatr w Warszawie) 8 / 12  ...and Certowicz is documenting the whole process... (© Nowy Teatr w Warszawie)
  • ...of renovation... (© Nowy Teatr w Warszawie) 9 / 12  ...of renovation... (© Nowy Teatr w Warszawie)
  • ...and construction. (© Nowy Teatr w Warszawie) 10 / 12  ...and construction. (© Nowy Teatr w Warszawie)
  • From the day-to-day details... (© Nowy Teatr w Warszawie) 11 / 12  From the day-to-day details... (© Nowy Teatr w Warszawie)
  • ...to the overall site. (© Nowy Teatr w Warszawie) 12 / 12  ...to the overall site. (© Nowy Teatr w Warszawie)

Jakub Certowicz’s work as an architectural photographer in Poland has covered multiple aspects of the recent building culture there, which has been in overdrive for the past few years. As such, he has photographed both the glut of new cultural buildings – many of which we include in our Poland issue – as well as the modernist and postmodernist legacies and recent speculative boom. Here we show a wider selection of his work, and Fiona Shipwright gets his perspective on the roller-coaster ride of construction – and demolition – in Poland.

Could you tell us a little about your background? How did you become interested in photography and in particular architectural photography?

I started as a teenager, rather by accident when I chose photography as an activity at a youth community centre I attended. I became interested particularly in architectural photography thanks to Juliusz Sokołowski, with whom I worked for some time. I like this type of photography, because my reflexes were always too slow working with live models and I found it difficult to establish a good rapport with them.

You have photographed many of the buildings that could be said to represent the architectural “cultural shift” which was a starting point for our Poland issue. Was this something you became aware of as you worked or was it a surprise on looking back at your photographs to see how many of these projects had appeared over that time?

Over the last ten years many new public buildings have been built, but this process has not always been so well connected up to urban and infrastructural change. Many of them sit like objects in a vacuum, or are not used as intended, or were merely investment opportunities created quickly for short-term political or commercial gain. I must admit that many times I was fooled by the outer shell, and the finished buildings, whilst beautifully designed, did not sit comfortably on their sites once built, or just did not function properly. But there are also contrary examples … take the Warsaw University Library - for a long time I was skeptical about this building, but today you can see how brilliant this project is, and how it completely changed the face of the area.

Are there any projects or buildings which you are particularly fond of or which you think are particularly successful? Are there any that you have not yet photographed but really want to?

There have been several great buildings in recent years. One of my favourites is the headquarters and workshop of the advertising agency Yeti, which is near Krakow and designed by Jack Krych. The project has gone almost unnoticed here in Poland. I'm also a huge fan of the work of eM4 studio, who helped revitalise many of the public spaces in the old part of the city of Gorlice in southern Poland.

You have produced a very interesting series of photographs entitled "Zachłonność" – which I understand means “Greed” – and which were included in the intriguingly-named Warsaw Under Construction: Occupation Architect exhibition at the Museum of Modern Art there. Could you talk a little about what those photographs deal with?

“Zachłonność” is a new word that combines the terms Zachłanność (greed) and Chłonność (absorbency). Architects here use this term “absorbency” to describe the square metreage of useable space of a building which can be fitted onto a particular site.

Today, the ability to condense more metres of useable space onto a site has become an important criterion in the selection of a particular project team by developers and private or even public investors. Absorbency can therefore be seen as the number of metres “added in” in relation to the number of metres “taken out”. For an investor who prefers to work in units of currency, it is the ratio of the amount of money invested versus the amount of money earned. This project is still in progress.

In 2012 you photographed the 1970s apartment blocks in Grunwaldzki Square in Wrocław, designed by Jadwiga Grabowska-Hawrylak, for an exhibition looking at how her buildings might look after some (careful) renovation work. Would you like to see a little less new building and a little more renovation happening in Polish cities?

Coming from Warsaw, I find it very difficult to accept you can just demolish a building purely because it has been deemed uneconomic or lost its original function. And I would prefer it if the people who make decisions like this are in any case the public planners and users, rather than developers. I think it's worth putting the effort into restoration and revitalisation, because a major advantage of these existing buildings is that we know them, despite their flaws.

What are you working on at present – can you tell us about any future projects?

As mentioned the “Zachłonność” project with The Museum of Modern Art in Warsaw is ongoing. At the same time I’m working with architect colleagues to try and create something like an anthology of Polish architecture of the nineties, with all the baggage of political transformation, outdated postmodernism and the cult of money that comes with that period. Also, for the past few months I’ve been working on a systematic documentation of the construction of the “New Theatre” International Cultural Centre, currently on site in Warsaw. It's an interesting project as I’m working to the rhythm of the construction, seeing and documenting the changing space from day to day, from specific details to the overall site.

– Interview by Fiona Shipwright

– Jakub Certowicz is an architectural photographer based in Warsaw.

jakubcertowicz.pl

  • Facebook
  • Tumblr
  • Twitter

Advertisement

RECENT POSTS

more

Recent Magazines

25 Apr 2016

Magazine No. 43
Athens

  • essay

    From the Bottom and the Top

    Powering Athens through collectivity and informal initiatives by Cristina Ampatzidou

  • photo essay

    Nowhere Now Here

    A photo essay by Yiorgis Yerolymbos

  • Essay

    Back to the Garden

    Athens and opportunities for new urban strategies by Aristide Antonas

  • Interview

    Point Supreme

    An interview by Ellie Stathaki

>

03 Mar 2016

Magazine No. 42
Walk the Line

  • Essay

    The Line Connects

    An essay on drawing and architectural education by Wes Jones

  • Essay

    Drawing Attention

    Phineas Harper sketches out new narrative paths with pencil power

  • Essay

    Gotham

    Elvia Wilk on a city of shadows as architectural fiction

  • Interview

    The (Not So) Fine Line

    A conversation thread between Sophie Lovell and architecture cartoonist Klaus

>

28 Jan 2016

Magazine No. 41
Zvi Hecker

  • essay

    Space Packers

    Zvi Hecker’s career-defining partnership with Eldar Sharon and Alfred Neumann by Rafi Segal

  • Interview

    Essentially I am a Medieval Architect

    An interview with Zvi Hecker by Vladimir Belogolovsky

  • viewpoint

    The Technion Affair

    Breaking and entering in the name of architectural integrity by Zvi Hecker

  • Photo Essay

    Revisiting Yesterday’s Future

    A photo essay by Gili Merin

>

17 Dec 2015

Magazine No. 40
Iceland

  • Viewpoint

    Wish You Were Here

    Arna Mathiesen asks: Refinancing Iceland with tourism – but at what cost?

  • Photo Essay

    Spaces Create Bodies, Bodies Create Space

    An essay by Ólafur Elíasson

  • Focus

    Icelandic Domestic

    Focus on post-independence houses by George Kafka

  • Essay

    The Harp That Sang

    The saga of Reykjavík's Concert Hall by Sophie Lovell & Fiona Shipwright

>

more

SUBSCRIBE TO OUR MAILING LIST Close

Uncube is brandnew and wants to look good.
For best performance please update your browser.
Mozilla Firefox, Internet Explorer 10 (or higher), Safari, Chrome, Opera

×