Michael Wihart was born in Salzburg, Austria in 1975. He holds a Masters in Architectural Design from The Bartlett School of Architecture, University College London, where he has been running Diploma Unit 24 and is currently completing his design-led doctoral research. Besides practicing and teaching architecture, Michael has researched the architectural relevance of soft machines through theory, design and experimentation. Michael’s works and writings have been published and presented internationally in reviewed and edited literature, conferences and exhibitions. He has been based in London since 2004.
Architect Michael Wihart’s research speculates on softening architecture through machines and revising architecture’s relationship with the human body. He cites key influences as Nicholas Negroponte’s groundbreaking work Soft Architecture Machines (1975), William S. Burroughs’ proto-cyborgian novel The Soft Machine (1961) and Georges Teyssot’s essay Hybrid Architecture (2005). Wihart’s most recent series of soft mechanical and silicone hybrids, driven by embedded pneumatics, derives from studies of soft organisms, such as molluscs. Departing from traditional assembly-driven mechanical conceptions, his soft machine designs draw on the “relational, embedded and embodied”, which represent for him “the idea of architecture as a partially transformable, compliant, sensitive and sensual body”, one that is conditioned by and conditions its own constituent systems, materials, morphologies and behaviours. I (sl)
Biomechanical Extension Shoe No.1, 1998. (Photo © Michael Wihart)
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