»Where there is nothing, everything is possible. Where there is architecture, nothing (else) is possible.«

Rem Koolhaas

Blog Lens

Pay Dirt

The spoils of construction in San Francisco

  • (All Photos and Images: Katherine Jenkins and Parker Sutton) 1 / 12  (All Photos and Images: Katherine Jenkins and Parker Sutton)
  • 2 / 12
  • 3 / 12
  • 4 / 12
  • 5 / 12
  • 6 / 12
  • 7 / 12
  • “Paydirt” project title graphics. 8 / 12  “Paydirt” project title graphics.
  • Mound typologies: shapes and states. 9 / 12  Mound typologies: shapes and states.
  • Diagrammatic plan of a recently completed palm allee framing the remnants of an earth mound in Mission Bay, San Francisco, October 2013. 10 / 12  Diagrammatic plan of a recently completed palm allee framing the remnants of an earth mound in Mission Bay, San Francisco, October 2013.
  • 11 / 12
  • 12 / 12

Whilst new buildings are the obvious products of building booms that transform cities, other more temporary structures are also the result, collateral forms that appear and fade in the urban landscape. Most graphic are the cranes that pepper the horizon, but what about the mounds of excavated earth that appear adjacent to construction sites? A San Francisco design research collective has been conducting a study called Paydirt, that examines the shifting morphologies of these innocuous piles of spoil...

San Francisco's building boom has led to the city’s skyline being dotted with dozens of cranes. As the San Francisco Magazine observed in October 2013: “Every crane on every corner tells a story”, but the mounds of excavated earth produced as a by-product of the construction process tell the story from the other direction: they are the out-takes, what the building displaces in the ground rather than just the space it takes up in the air. And whilst some are mountainous in size, they all generally go almost unnoticed. Except that is, by Katherine Jenkins and Parker Sutton, who run a joint design-research collective in the city and have made a study of these heaps of spoil. Paydirt is part of a larger field of enquiry Terra Interregnum, what the researchers call: “an investigation of constructed forms that are interstitial in both time and space” which ranges from the “topographies of bubble economies to the ground beneath Arctic pipelines”.

Paydirt looks at and records the different morphologies of these mounds and the temporary landscapes they create, landscapes which are neither planned nor designed but act as a clear measure of the state of the local economy. The examples Jenkins and Sutton record come from every type of environment in and around the city: national park space, gentrifying districts, historic landmark areas, and the commercial and financial districts. The images Jenkins and Sutton have taken as part of their study and their infographic documentations are a wonderful testimony to the beauty of the banal, and although their work is very much research, there seems to be a little bit of art involved as well.

––

Katherine Jenkins and Parker Sutton operate a joint design-research group based in San Francisco, CA. Their field of inquiry, Terra Interregnum, examines earthforms that are interstitial in both time and space, from the bizarre topographies of bubble-economies to the ground beneath Arctic pipelines. Their work has been published in Lunch, Catalyst, and numerous design blogs, including ArchDaily, Architizer, and Bustler. Their research into the coevolution of habitation, landforms, and infrastructures of extraction in the Arctic landscape is featured in the upcoming publication “The Water Index”. Katherine Jenkins is a member of The Urban Lab at California College of the Arts and is a designer at SWA. Parker Sutton is a designer at WRNS Studio.


  • Facebook
  • Tumblr
  • Twitter

Advertisement

RECENT POSTS

more

Recent Magazines

25 Apr 2016

Magazine No. 43
Athens

  • essay

    From the Bottom and the Top

    Powering Athens through collectivity and informal initiatives by Cristina Ampatzidou

  • photo essay

    Nowhere Now Here

    A photo essay by Yiorgis Yerolymbos

  • Essay

    Back to the Garden

    Athens and opportunities for new urban strategies by Aristide Antonas

  • Interview

    Point Supreme

    An interview by Ellie Stathaki

>

03 Mar 2016

Magazine No. 42
Walk the Line

  • Essay

    The Line Connects

    An essay on drawing and architectural education by Wes Jones

  • Essay

    Drawing Attention

    Phineas Harper sketches out new narrative paths with pencil power

  • Essay

    Gotham

    Elvia Wilk on a city of shadows as architectural fiction

  • Interview

    The (Not So) Fine Line

    A conversation thread between Sophie Lovell and architecture cartoonist Klaus

>

28 Jan 2016

Magazine No. 41
Zvi Hecker

  • essay

    Space Packers

    Zvi Hecker’s career-defining partnership with Eldar Sharon and Alfred Neumann by Rafi Segal

  • Interview

    Essentially I am a Medieval Architect

    An interview with Zvi Hecker by Vladimir Belogolovsky

  • viewpoint

    The Technion Affair

    Breaking and entering in the name of architectural integrity by Zvi Hecker

  • Photo Essay

    Revisiting Yesterday’s Future

    A photo essay by Gili Merin

>

17 Dec 2015

Magazine No. 40
Iceland

  • Viewpoint

    Wish You Were Here

    Arna Mathiesen asks: Refinancing Iceland with tourism – but at what cost?

  • Photo Essay

    Spaces Create Bodies, Bodies Create Space

    An essay by Ólafur Elíasson

  • Focus

    Icelandic Domestic

    Focus on post-independence houses by George Kafka

  • Essay

    The Harp That Sang

    The saga of Reykjavík's Concert Hall by Sophie Lovell & Fiona Shipwright

>

more

SUBSCRIBE TO OUR MAILING LIST Close

Uncube is brandnew and wants to look good.
For best performance please update your browser.
Mozilla Firefox, Internet Explorer 10 (or higher), Safari, Chrome, Opera

×